Category Archives: Bathurst Community Climate Action Network

Last night I was a red head

The thing about baldness is that you have a blank palette from which to begin to create new looks. I’ve never been much bothered with new looks – I wore straight brown hair parted down the middle forever – but now that I’ve been led here by chemo-induced baldness I’m quite enjoying it. I went to a friend’s place for dinner last night in a cloche hat and curly red hair and a big green vintage coat. I watched as a very close friend’s eyes skated over me without recognition. I was invisible; someone new; someone else. A fly on the wall; an occupier of liminal space. But then she did recognise me and everything jolted back to normal. We resumed our long-running discussions about art, illness and crochet.

Then I hobbled home in the dark. My left knee has been giving me hell. I think the chemo is eating away at my cartilage, or I have fluid retention, or something. And so I return to Dr Google, typing in search terms like “sore knee chemo” to see what others have to say on the subject. What they say is that chemo often causes sore knees. Besides the knee, I’m in a bit of a dip all round. Everything is an effort, today. I’m in slow motion. Next Wednesday, I’ll be having another CT scan to see what the three rounds of chemo have done to my tumours. I’m alternating between confidence and apprehension.

Last Tuesday, after a wild weekend with my relatives (enjoyable wildness involving two small boys, possum hunting and a dramatically crashing and splintering glass object in a shop that had to be paid for), I took my Waste to Art entry up to the Flannery Centre for the exhibition that opens tomorrow. As a work of art it’s lumpy and unresolved (aka ugly) but as a project it has been enormously satisfying. And through it, I’ve discovered pen and ink! The kind you have to keep dipping into an ink well. Oh fun! Oh beautiful scratchings! Here it is:

A winning formula

Mount Panorama, Bathurst.

Bathurst’s Mount Panorama on a non-racing day. Could this be the site of an enviro-friendly electric car race?

When I was a small child, Dad told me about the Bluebird, the fastest car in the world. In 1964, driver Donald Campbell broke the land speed record when his sleek bright blue car zipped across Lake Eyre at 403.10 miles per hour (or 648.73 kilometres per hour). Donald Campbell died in a spectacular crash in 1967, but his extended family, based in Surrey in the UK, has not dropped its love of speed.

The Bluebird has now gone electric, and will compete in the Formula E (as in, Formula Electric) races that will begin in ten major cities around the world in 2014.

For many people, the idea of an electric car race is associated with the creeping speeds of the solar-powered cars cobbled together by university departments. But Formula E is a game-changer: it’s about serious speed in serious battery-powered cars. The Formula E championship will be held under the rules of the official Formula 1 governing body, the FIA. Sponsors include Michelin and Renault.

Meanwhile, a new land speed record for electric cars has just been set by the UK’s Lord Drayson, CEO of Drayson Racing Technologies and a former Labour government minister. He was behind the wheel of his Lola B12 69/EV, when he achieved a top speed of 204.2 miles per hour (328.603 kilometres per hour) on a racetrack at RAF Elvington in Yorkshire, on June 25. Drayson’s car is a modified Le Mans vehicle weighing less than 1000kg to conform to FIA standards.

Electric cars are getting faster and more popular. The technology is evolving fast, making this an exciting time for this particular motorsport. So what are we waiting for? Bathurst is on the international map as a car racing destination. We could have a flagship race that symbolises both tradition and the future. It goes without saying that it could be a major international tourist attraction and welcome boost to the regional economy.

The field is moving fast, with locations being scouted and sponsors being wooed. It may be that Formula E is not suitable for Bathurst – some other category could be more suitable, or, like the early days at Mt Panorama, an all-in race could be fun – but there must be something we can be doing in this space. If we don’t, we could be left behind in this particular race into the future.

Tracy Sorensen is the Treasurer of Bathurst Community Climate Action Network. This is the text of a column piece submitted to the Western Advocate, Bathurst’s daily newspaper.

Towards a classification system for Mt Panorama ring pulls

This is my entry for the 2013 Waste to Art exhibition here in Bathurst. It’s silly and the artwork itself is ugly. Anyway, it’s good to participate!

Ring pull artwork

Title: Left, right, straight and folded: towards a classification system for Mt Panorama ring pulls, 2013.

Artist: Tracy Sorensen

Media: Hobbytex and found ring pulls on old stained bed sheet, stapled to Peter Andren Independent foam core election poster in a damaged op-shop frame.

Measurements: 50cm x 40cm

Place of execution: Bathurst, NSW, Australia

My black Labrador, Bertie, loves to go for walks at McPhillamy Park on the top of Mount Panorama. I always keep my eye out for ring pulls to add to my collection. Like specks of gold in an alluvial landscape, Mt Panorama’s ring pulls shift and show themselves after a good rain. It’s always good pickings, then.

Detachable ring pulls for drink cans were a phenomenon of the 1960s and 70s; by the 1980s, they had been discontinued because of concerns about litter and the way their sharp edges could hurt bare feet. Now, partly hidden in the dirt, they are nostalgic, suggestive objects. Their individual shapes are determined by the hands that originally tore them from the can. The unconscious movements of people – men, mostly – on top of a mountain, watching cars, getting drunk, are all captured in these objects.

My grid pattern emphasizes how each ring pull “hangs”: the pivot-point sits at the apex of an orange and purple mountain; the tab swings to the left (purple) or to the right (orange) or follows the meeting-point of the two colours (straight). The retrieval and display of the ring pulls suggests the struggle to gather and contain past moments and give them meaning. The domestic impulse to tame and stitch down wild masculine moments is represented by the stained bed sheet. This domestic impulse has failed; the sheet is filthy and may need to be thrown out or used as a rag.

The vivid Hobbytex colours celebrate the overwhelming, exuberant designs popular in the 1960s and 70s; the domestic art of painting with Hobbytex was itself a fad of those times. The bright colours, hand-painted, are also a reminder of a time when the car race itself was more colourful, heterogeneous, hand made, less blandly unified by corporate interests. Hobbytex, like the internal combustion engine, gives off powerful fumes. There is nothing non-toxic about Hobbytex paint.

We no longer have dangerous detachable ring-pulls. Fume-ridden Hobbytex painting would never pass muster as a children’s hobby today. But the fossil-fuel burning internal combustion engine – a danger to the entire planet – is still celebrated every year at Mt Panorama.

Getting the message, Barry?

I’m not a fan of New Age slogans but there’s one I do find myself using from time to time: “The universe is trying to tell me something.” It’s good for when you’ve been trying your darndest to something but every step is dogged by misery, misfortune or misunderstanding. Finally, it dawns: “Maybe I shouldn’t be here.”

I’m just wondering if the universe is giving Barry O’Farrell a nudge. A new voter poll has shown that there could be a backlash over moves to privatise the “poles and wires” – the basic infrastructure – of the state’s electricity system. Opposition is coming from across the board, with National, Liberal, Labor and Greens voters alike giving it the thumbs down.

While the government claims the “poles and wires” are safe from privatisation, there are fears that this could be the logical next step after the passage, last year, of legislation allowing the sale of state power stations at Lithgow, on the Hunter Valley and on the Central Coast.

In order to get support for this policy, the government did a deal with the Shooters and Fishers Party to allow recreational hunting in national parks. The idea of a quiet family bushwalk punctuated by the sound of gunfire has not been warmly received.

And then, early this year, we get the news that the Game Council – the body that would oversee licenses for recreational hunters – was having some trouble with its acting chief executive. Greg McFarland was facing court over allegations of illegal hunting and the inhumane treatment of an animal at Mt Hope.

The hunting lobby is clearly a loose cannon (pardon the pun); a few more embarrassing incidents could see the whole deal unravel.

It’s clear that both policies – electricity privatisation and recreational hunting in national parks – deserve to go down together. With climate change upon us, finding ways to make the transition to clean energy in a fair, transparent way is an urgent task. Taking the system out of public hands reduces the government’s ability to ensure low-income households are supported and shrouds key agreements in the secrecy of “commercial in-confidence” arrangements. And there’s no getting around the fact that if you’re trying to make a profit out of burning coal, you’re unlikely to want to phase out the burning of coal. A different framework – one that places us in a period of transition from one energy system to another, where investment is spread over generations rather than through quick-fix solutions – is needed.

As for recreational shooting in national parks, a new voice has been added to the chorus of opposition. Yeti enthusiasts (in a recent letter to the Sydney Morning Herald) have begged to be left to loiter in the parks in peace. See, Barry? The universe is onto you.

This was written for the weekly Sustainable Bathurst column in the Western Advocate, Bathurst’s daily newspaper. I am the Treasurer of Bathurst Community Climate Action Network (www.bccan.org.au).

Just been down at the Flannery Centre

Flannery Centre, Bathurst

Flannery Centre, Bathurst

I have just come back from the Flannery Centre, and my first impression is: it’s beautiful. The Flannery Centre, as the name suggests, is a centre devoted to Flannery-type things: science, the environment, the future. Its very name is giving the Andrew Bolts of the world the shudders.

As you drive up to it, you see the small windmill, you see the banks of solar panels, you see the pink shades for the new plantings of trees that will surround it.

Inside, it’s a gallery of light; there’s a warm, earthy wall made out of earth; there are stones wrapped stylishly in wire.

It’s not just what it looks like, it’s the smell.

It simply doesn’t have that vaguely toxic smell of brand new things. So even though the place still has that construction area look, it doesn’t have that new-construction, new-car, cheap-furniture-warehouse smell. It smells neutral, natural, pleasant.

It’s the opposite of the thing I mentally call “f*ck you architecture”. Sorry if this seems rude, but every time I see a new example go up somewhere, I feel like someone is giving me the forks. Someone with some money to invest is giving me a bit more ugliness to live with, another depressing bulky good centre full of new things out of crates from China smelling like a chemical factory. I buy things from these centres, by the way – nice big bags of dog food, for example – because these places are so darned drive-in-and-park-easily convenient. But I always feel vaguely depressed about it. There’s this sense that we – the public – are worth nothing more than the sum total of our wallets.

The Flannery Centre, by contrast, calls to something different: its very design and existence is saying that I’m more interesting than my wallet. It says I might want to come here to talk about the state of the world, or learn how to make buildings that are environmentally friendly, or see an art show.

Professor Flannery himself will be here on Friday. The night before that, there’s the launch of the centre’s first art exhibition. I’m going to miss all this because I’ll be in Sydney for two days on secret doco business. But I’m looking forward to getting back there soon.