Category Archives: friends

It isn’t easy being green (or pink, teal or purple)

I’m writing this with Australia batting against India in the background. Steve is standing behind the sofa watching, making “ooff” sounds, which is what he does when watching any sort of sport, whenever there is a significant movement.

On New Year’s Eve at Fiona Green’s place I found myself saying that this year I’d learn the rules of cricket. It’s weird when you hear yourself say something surprising. Where the hell did that come from? I can only guess it had something to do with Dad, who might have been hovering around in spirit – drinks and a big bonfire in a backyard could easily have attracted him. Dad always played and watched cricket and I always sidestepped it because to be honest it always seemed deadly boring to me. Men in white clothes standing solemnly around in the belting sun; the occasional flurry followed by more standing around. My evasion became a lifelong habit. But Steve likes to watch the cricket and when he does, there’s an echo of earlier times. And now I feel slightly bad about living through all these Australian summers and still not knowing the rules of cricket. So I’m going to give it a go. This will not be easy. I will have to fight a strong desire to immediately do something else. Like maybe arranging crockery shards by colour or size, in anticipation of one day making a mosaic table top. Or sorting old photos into albums. Rules of cricket. Why did I say that?

***

When I sat down to write this I was distracted by the cricket. What I was really going to write about to today was Purple Day! Today is international epilepsy awareness day. Epilepsy makes the brain fire off in all directions, leading to fits and seizures. My little nephew Joey succumbed just after his third birthday with a particularly nasty form of the disease, the Doose syndrome, which is resistant to medication. He was having twenty or more seizures a day. These involved sudden “drops” or “flops” to the floor. He’d be conscious again immediately, and sometimes crying because on the way down he might have hit something hard like the edge of a coffee table or a concrete birdbath. So he took to wearing a blue helmet. At the end of 2013, a few months after Dad died, things got so bad that he

Joey with Hazel the therapy dog.

Joey with Hazel the therapy dog.

ended up in Sydney Children’s hospital for a long stretch. I remember going to see him there when he was visited by Hazel the therapy dog. I also went upstairs with him and Deb for one of his brain tests. His little scalp had electrodes taped all over it. And he was well and truly over it. Sick of all this crap going on. The good news is that a few weeks later, the seizures had stopped. He got all the way through last year, his first year at school, seizure free! Did the medication combo finally hit the right spot? Had he simply grown out of it? Nobody really knows. Today, in honour of Joey, I’ve purpled up my Facebook profile picture and I’m writing these paragraphs in this blog.

***

Meanwhile, at the end of 2013, I wasn’t feeling that crash-hot myself. It turned out to be primary peritoneal cancer, a variation on ovarian cancer, explored at great length here in this blog. The awareness ribbon for this is teal. Shortly before that, Mum got in on the illness act with a spot of bowel cancer, which thankfully was removed all in one go in one operation, and she didn’t have to have chemo or any further treatments. Now, what colour is the awareness ribbon for bowel cancer? Could it be …. brown? Surely not. Must Google it. Back in a moment.

Wow. There are a lot of awareness ribbons. I guess there’s a lot to be aware of. “Use the search box to find your illness or cause”. Okay. Looks like blue or periwinkle covers the bowel. But using the search term “colon” does in fact bring up a brown ribbon! Speaking of bowel cancer, an ex boyfriend has been diagnosed with it, and is in for a long and involved treatment regime. Thinking of you (while not breaking your anonymity here!)

***

After Deb got breast cancer (pink ribbon, everyone knows that) and Joey started having seizures and Dad died of pulmonary fibrosis and Mum got bowel cancer and before I was diagnosed with ovarian cancer, Deb did say, at one point, “What were we in a past life? Axe murderers?” We don’t subscribe to deserved illness theory any more than we subscribe to the deserved good fortune theory. But there are moments that make you wonder. Anyway, we’ve almost got a rainbow of ribbons, just in one family, and all just in the past few years. Before that we’d had a very good run.

***

Which brings me, finally, to the green ribbon, or should I say Greens ribbon, that I’ll be wearing on Saturday, the day of the New South Wales state election. I’m not a member, but I’m happy to support the local candidate, Tracey Carpenter, who has been running a very serious and successful campaign. It’s actually not that hard being green, if you’re able to steel yourself against the waves of warmings and extinctions, fracking and fossil fuel-burning. I’ve been doing a spot of handing out how to vote cards at the pre-polling booth in Bathurst. A couple of weeks ago I went along with Tracey when she drove up to Rylstone in the north of the Bathurst electorate to meet and greet at the annual Rylstone-Kandos show. With iPhone in hand, I spontaneously decided to record her talking about her policies, as she drove. Here it is:

 

On saving things

Silos, Bathurst NSW Australia

Pic by Steve Woodhall.

It is in the nature of things to come and go. This is the theme in my friend Karen’s pom pom installation that will cover a plot of land in Kandos just after Easter. Her installation will be a part of Cementa, a week of arts and culture in the post-industrial landscape of a little town that was once fed by a giant cement factory. The factory is still mighty in the landscape, visible for miles around. The cement it produced is part of the Sydney Harbour Bridge. Now all that work, all that movement, all that creation, has been stilled. But the mighty architecture is still there; a reminder of the very recent past. Karen started making pom poms as her partner Steve Kirby was dying of cancer. Making pom poms was something – something light and colourful – to do in the midst of grief and sadness. It provided a way for friends to sit in companionship before, during and after Steve’s death. These pom poms, made of see-through nylon and clear plastic on slightly bendy sticks, are small and light, their ephemeral nature a delicious counterpoint to the massive industrial machinery nearby. Even if people don’t realise it, a memory, a trace, of Steve Kirby will be kept alive in those pom poms. And then they’ll be pulled up out of the ground and they’ll go, just as all of us have to go. We arrive, we bloom like pom poms or sunflowers and then we go. An aura of memory stays in the air that we have left but eventually we are forgotten. That’s in the nature of things.

The Kandos cement factory is just one of the many reminders of our industrial past studded through the landscape in these parts. These are monuments not to individual lives but to collective memory, collective effort, whether endured or enjoyed. They tell us something of how we got here, how things used to be not so very long ago. They’re woven into the memories of thousands of people, each remembering – or misremembering – their own bits of story, whether that’s a couple of generations of family working there, or something seen out of a car window and an idle thought: “What’s that?” They are collective reference-points in a world that changes all the time.

What should we try to save? Not everything, clearly. Time moves on. Hoarding, as we’ve seen on the TV shows, is not healthy.

But some things are worth saving so that they continue to be part of the fabric of a changing community; part of its collective memory. The town I grew up in, Carnarvon, is slowly losing its iconic one-mile jetty to the waves. Busselton has saved its long jetty; the Carnarvon jetty – unbelievably for those who know and love that place –  is rotting slowly into the glittering Indian Ocean. Here in Bathurst we have buildings galore of striking grandeur. Unlike Carnarvon, which has clung less certainly to a bit of windswept earth, we have a great big gaol complete with lion with key in its mouth; a great big courthouse for putting people there; an old railway station and nearby, tall cement wheat silos that make visitors do a double-take as they come down Havannah Street. Over the past two centuries these things have become part of what defines this town, this place (as well as ancient natural features like Wahluu/Mt Panorama and the Wambool/Macquarie River).

This week, before I really knew what I was doing, I got involved in an impassioned plea to save the mighty wheat silos and old flour mill buildings opposite the railway station.

My friend Helen and I went straight from the Hub cafe where we were talking about it to talk to Chris Frisby at Bedwell’s Feed Barn (one of the occupiers of the old site). I whipped out my trusty iPhone and started filming.

Depending on who you talk to, the silos and flour mill are under immediate threat or we’re worrying about nothing. The information we’ve heard is that there is developer interest, and the D word (demolition) has been mentioned. It’s early days, and there may be nothing to worry about. But we think it’s worth saving and we feel it can’t hurt to get in early. Some developers prefer demolition and starting from scratch; others like to work with the fabric of the past to create something new. That’s the sort of development we need.

The new world in the morning

A_box_of_hairOMFG. I survived the year 2014. It’s over. I’m about to pack it all in a box. All those cancer hats – in the box. A big blue folder called Resilience, from Ovarian Cancer Australia – in the box. You’ve been very helpful but I don’t want to catch sight of you at the moment. Cardboard box with bananas stamped on the side, full of wigs – it’s going back round the corner to Steph Luke.

The year 2014 can go the f@#k to sleep.

It’s time to get the box I labelled “Hair” out of the cupboard. It contains things like shampoo, conditioner, combs, depilatory cream. Things one uses when one has hair, wanted or unwanted. These things can now be restored to their spots in the bathroom.

Unfortunately I can’t pack up Buckminster and all his accoutrements. Buckminster is the name I’ve given to my stoma and colostomy bag. Last night I was discussing it with my friend Karen Golland, and I called it “this guy”. As in, “This guy has a lot to say, tonight.” She said, “Oh, is it male?” I stopped and thought about this. Yes. He is a male. Full of shit. Not that I think males in general are full of shit by any means. Some of my all-time favourite people were or are male. But for some reason I’ve been thinking of it as a “guy” or a “dude”. So, yes, male. And being full of shit is in no way a criticism: it’s just its function. So, Fullashit. Which suggests a first name: Buckminster.

In 1927, Buckminster Fuller, the architect and futurist, had an epiphany. He was contemplating suicide when he suddenly found himself floating a couple of feet off the pavement in a sphere of bright light. According to Wikipedia, a  voice came to him and said:

From now on you need never await temporal attestation to your thought. You think the truth. You do not have the right to eliminate yourself. You do not belong to you. You belong to Universe. Your significance will remain forever obscure to you, but you may assume that you are fulfilling your role if you apply yourself to converting your experiences to the highest advantage of others.

After that, he went on to invent the geodesic dome and have bucky balls named after him. And my colostomy apparatus.

I can’t pack Buckminster away; he’s a constant reminder of the truth, which is that everything you’ve got is slipping away from you, including your own body parts, but with a little help you can temporarily stave off the dragons of dissolution. (I reassure myself that temporary can be a very long time.)

Yes. I’d like to put 2014 in a box and put it away but Buckminster keeps reminding me of it. As he should.

And even though there’s no such thing as Forever here on earth, it might exist somewhere else. Last night, at Fiona Green’s beautiful New Year’s Eve party, Karen told us about the Forever Now project which will send messages into the universe. They might be found one day … by others or perhaps by some version of ourselves, the ones living in another space-time dimension. You can see the video clip here. It is so beautiful. Karen worked on collages (a different project) with one of the artists, Deborah Kelly, at Bundanon just before Christmas. You can vote for this animation to board the forever rocketship by leaving a comment below the animation.

Anyway, here on Earth, it’s a new morning!

I should have done this in my last post for 2014, but I’ll do it now: Thank you, all my readers, for riding with me all year. I managed to post most Thursdays for most of the year; I’m aiming to do the same again this year.

Happy New Year!

Dr Douglas and the runaway rabbits

Spring continues to go bonkers, endlessly sending out shoots and growing giant green leaves. This is what I wrote last week at Varuna. Unhinged, unpolished … it’s the beginning of some sort of memoir-ish thing written as a series of short meditations on my various affected body parts. I’m starting with the Pouch of Douglas. This is one down; nine other body parts to go.

Illustration by William Hogarth, 1726. Retrieved from http://special.lib.gla.ac.uk/exhibns/month/aug2009.html on 23/10/14.

The Pouch of Douglas

The Pouch of Douglas is a small area in the female human body between the uterus and the rectum. It has a name and a shape but the essence of it, the point of it, is that it is a piece of nothing. It is a negative space. It is the empty air in a cup or a bottle. We don’t have a word for that territory; we let the vessel speak for it. The Pouch of Douglas has a name, a border, but no land. The territory of the Pouch of Douglas is infinitesimal, because when all is well the surrounding organs slide against each other like two slugs in a mating dance. The pouch of Douglas, like the pouch of a mother kangaroo or a coin purse, can expand to accommodate growing or multiplying things.
The pouch takes its name from the first man to explore and name this piece of true terra nullius. At the time, other men were planting flags in distant places on the globe; Dr Douglas worked closer to home in Scotland and England. He worked as a man-midwife, wrote treatises and held public dissections in his own house. Here is the uterus, the fallopian tube, the ovary and vagina. And here – can you see it? This is my own discovery. I have named it after myself. Ah, there is the bell for afternoon tea.

In 1726, a woman by the name of Mary Toft, who lived in Surrey, announced that she had given birth to baby rabbits. Her local doctor was astonished and ran off to let everyone know. She had been in normal labour, he said, with regular contractions. And then appeared the baby rabbits. The woman enjoyed her celebrity. But Dr Douglas smelled a rat. “A woman giving birth to a rabbit is as likely as a rabbit giving birth to a human child”, he said. He went to see her himself, to put an end to the nonsense. He examined her and declared her a fraud. Afterwards, William Hogarth made an etching of Dr Douglas standing at Mary Toft’s bedside, gesticulating, with the rabbit children running off in all directions, unmasked and embarrassed.
Rabbits came to Australia with the first fleet. Like currency lads and lasses, they grew healthy on fresh air and good eating. They eloped into the bush and ate the crops that were planted for them and built burrows in the new estates that opened up as far as the eye could see. Australia’s emblem bore the Kangaroo and Emu, but the continent was in fact governed by rabbits. The anti-rabbit wars, when they came, were conventional and chemical; mass slaughter and hand to hand combat. By the time I could walk and talk, I knew that rabbits had to be caught and killed. Even the family cat could do its bit. “Go and catch a rabby, Ginge,” my mother urged the big hard tom cat that went with the dairy farm my parents worked for a while.

That was in the south of Western Australia, where it was green and lush and muddy. That’s where my sister and I had the job of herding calves. We always stopped to examine the hot pats of manure. We noted that some were sloppy, some firm. We wore plastic galoshes. Dad was always hosing out the stalls where the cows had been. Mum grew tomatoes at the back door of the weatherboard soldier’s settlement cottage that we rented from the farmer. My parents had come from Queensland on a working holiday that was already stretching out towards a year. I started school at a one-room schoolhouse, where I open and shut my mouth pretending to chant the times table with my peers. Older children carried me around like a baby. We weren’t on that dairy farm for long. Winter was coming and these Queenslanders were drawn north, following the sun.
I believed in the Easter bunny. We were surrounded by rabbits, so the idea of a large one carrying chocolate eggs wasn’t too much of a stretch. I also had hard evidence. Before we left the dairy farm, Mum and Dad and my little sister and I were sitting together when we heard an interesting thump and scamper. “I think that was the Easter bunny,” said Dad. “Go and have a look in your room.” There, on the bed we shared with pillows at either end, where my feet would sometimes reach a cold wet patch that was my sister’s wee, were chocolate Easter eggs.

Carnarvon

Carnarvon was a place where red earth met white beach sand to create pinkish sand dunes sparsely covered in acacia scrub. There were utes piled high with kangaroo carcasses. There was the pub where Wilson Tuckey smacked an Aboriginal patron with coaxial cable and got fined forty dollars for assault. There was a NASA tracking station on the red sand dune just out of town, getting ready for the Moon Landing. And there were rabbits. We had a grey cat that dragged home a partly disemboweled rabbit. The rabbit was long, as long as the cat.

Running wild

My partner Steve walks over land near Bathurst, in New South Wales, that was box gum then eaten-out farmland and now a land care reserve. He stops at likely spots and takes co-ordinates with his pocket GPS. These are rabbit burrows. Rabbits eat the delicate native grasses being coaxed back onto the land. Someone else will come by, later, to gas the burrows. The rabbits will lie there, dead, under the ground. We go walking with our black Labrador, Bertie. Bertie is getting old and pretends not to see rabbits, because he can’t be bothered to give chase. Kangaroos stand stock-still as we approach. The full, hanging pouch with just the joey’s legs sticking out.

There’s something in my own pouch. Cells are multiplying, well-fed and happy, burrowing down in new estates. They’re going wild, like rabbits.

Nothing is a magnet for something

Dr Douglas named his pouch of nothing. Nothing is like a magnet for something. Nothing is a big blank page with a pencil beside it. Nothing can be a blessed relief. There is nothing there. I slide on my conveyor belt into the big white donut machine. The warmth of radioactive fluid is strange at the back of the neck and around the bladder. “Breathe in and hold.” Pause. “You may now breathe normally.” At this point I have never heard of Dr Douglas or Mary Toft or her baby rabbits. They belong to the new country on the other side of the donut.

Why did it occur to Mary Toft that she might gather baby rabbits and put them up herself? The vagina is an empty tube. It calls for something to go up it, into it. Perhaps she was bored, and she had an empty space to fill. And then she spied a baby rabbit.

“I’m bored,” I used to whine, back in the dairy farm days. “What can I do?” I would be told to go and find something for myself, and stop whining.

I took a hair from my head and asked Mum for a glass jar with a lid. I put the hair in the jar. I was thinking that this was the hair of today and today would not go on for ever, but I would always have this hair. I could trap a hair’s worth of time. The hair did not look impressive in the glass jar. In fact, it looked like an empty jar with a hair caught in it by mistake.

Was Mary’s first baby rabbit already dead, or did her attempt to birth it kill it? Did she practice on a series of rabbits, perfecting her fraudulent labour groans, the use of muscles for expulsion, before calling her local doctor?

There’s that name, Mary. And another highly unusual birth. I’m doodling, now, into the empty page.

Nothing asks for something. From nothing comes all of creation. We can’t seem to leave nothing alone.

The radiologist’s report described a five centimetre tumour in the Pouch of Douglas. And another bigger tumour, in another spot. I couldn’t listen to this. I let my friend Dawn, who had insisted on coming with me, take notes. Tell that other person that looks and sounds like me but is not me because that person belongs to another dimension. I need to stay here in my glass jar of time, in my ignorance, with other people opening and shutting their mouths like goldfish.

Gnashing teeth

The night before last I dreamed that Steve and I were talking to a woman, a stranger. She was about our age. She suddenly said she was miserable because no-one would marry her. Steve immediately offered to marry her. He said it the way he’d offer to help someone move bricks around to the side of the house.
As soon as he said these words, he was gone from me. He had shifted over, just like that. He’d made the offer, and now he had to follow through. I spent the rest of the dream wailing and gnashing my teeth.

Rabbits gnash their teeth at every meal with a wide side to side movement. Their teeth grow continuously through their lifetimes, to make up for the erosion.

You can know something, but if you don’t give it any words, it subsides into the mud. You can continue paddling about on the clear water above. You might even peer down through the clear water, to the bottom, but it’s just brown or gravelly down there, with water weeds growing out of it and tiny darting fish. So you continue paddling.

About a year before I started to feel unwell, I heard the word “cancer”, loud and clear, as I got out of bed. Just that one word, no more. “Silly”, I answered, and went on to do morning things. The word got short shrift. It shrank back and didn’t bother me again.
At night, though, I started downloading hospital books – one click of the Kindle – one after another. I read memoirs of doctors and nurses on the night shift, of surgeons performing the most delicate manoeuvres on aneurisms, of surgeons becoming ill themselves. I watched hospital shows on television. No fiction – they had to be the real thing. The more extreme the surgery, the better. I loved it when they cut holes in skulls to take out tumours, or transplanted livers.
I started to take long afternoon naps. In the middle of the day I would walk from my study to the kitchen for a cup of tea, only to be seduced by the sofa with its softness, its inviting rugs and cushions. I’d lie down gratefully and sleep. I began to do this even before lunch. I decided that this was the way I was grieving my father, who had died not long before. I was standing beside him, licking an ice-cream, and he was standing there in a striped shirt, holding a giant fish. Its nose was on his foot so it wouldn’t drag in the dirt, and his toes were curled up to keep it there. He held it by the narrow point just under the tail. The tail reached above my head. I was five years old, and we hadn’t been in Carnarvon for long. The black and white photo sits on a shelf beside the sofa. I gave myself permission to have the naps.
All this time, I was paddling furiously. I was teaching and marking and writing and I was editing a documentary. I’d spring up from my nap and land back at the screen, back at the keyboard.

All the cells in my body knew something, but they couldn’t reach my mind. “There’s no use trying to tell her,” they told each other. “She doesn’t listen.”

The wanted rabbit

Pongo the black and white rabbit was astonished when a giant cabbage appeared in front of him. He circled it a few times, wondering where to start. It was a round, tight cabbage. A rabbit has prehensile, grasping lips and strong incisors. A rabbit chews like a camel, with the bottom jaw going back and forth sideways.
Pongo is a wanted rabbit. He lives with his sister Mimi, a grey rabbit, and cousin Hester, a large, handsome hare. They live near the Bathurst railway station, a few streets away from us. When Mimi took ill, lying paralysed and hopeless on the floor, my friend Helen spent hours feeding her through an eyedropper and spent a ridiculous amount of money at the vet. Gradually, Mimi began to move again. She began to drag her body around. She’d tip sideways and be unable to get up. She’d be set gently back on her wobbly feet.
Mimi and I took ill at about the same time. We’re both still here. Our days are numbered, of course. We just don’t know how many numbers, how many days.

In the meantime, we continue to chew the many-layered cabbage of life. It is vast. It will be unfinished.

Rabbit victory

Ginge moves stealthily through grass, his belly close to the ground. He gives his hindquarters a tiny shake, springs through the air, brings down his prey. He closes his jaw around the neck, drags his prize home.

The boy sets off on foot, dragging a wooden crate on wheels taken from a baby’s pram. In the crate, a pile of steel-jawed rabbit traps. He pulls the jaws apart; they go as wide as they can go. In the dark, a rabbit sets foot on the lightly buried steel plate. The jaws slam shut, breaking leg and sinew. The rabbit screams. In the morning, the boy returns. The rabbit, exhausted, barely struggles. He pulls and twists the neck until it snaps. The rabbit’s soul ascends through the leaves of the gum tree into clear blue sky.

Back home, the boy skins and guts his rabbits in movements that are becoming fluid, habitual. The skins come off like gloves, all of a piece. He stretches them along the wire fence to sell to hatters. He carries the pink muscled rabbits, arms and legs stretched as if caught in the act of flying, in a damp hessian bag through the streets of Surry Hills and Redfern, shouting Rabbitoh! Rabbitoh!

The South Sydney football team was named after these men and boys, the rabbiters.

We settle in before the large screen. We don’t know who will win, the rabbits or the bulldogs. I still can’t follow a game of rugby league. It’s all about pumping thighs and tries. Red pumping blood andgreen, green grass, lit by electric light.
Victory. After 43 years, victory at last.

They taste it at Redfern Oval, then gorge. Weeks later, they’re still partying. Deb and I, walking down Pitt Street, hear chanting, slightly dangerous, coming from above. A Scottish voice behind us says, “There’s those fuckin’ Rabbitohs” – not disapprovingly. Partying Rabbitohs have become a feature of the streets of Sydney. They’re like Corellas, cockatoos of the desert plains, appearing unexpectedly in city trees, shrieking.
Ginge stands at the back door, offering up his rabbit. “Good boy Ginge! Thank you very much. But you have it, Ginge.” Ginge drags it behind the woodpile. The flesh is soft and bloody.
Rabbits are multiplying. Rabbits need lebensraum. Some must leave the Pouch of Douglas for opportunities elsewhere. It’s dark and wet and they can’t see where they’re going. They’re like baby kangaroos, blind and pink-skinned, groping their way towards the teats inside the pouch. Only this journey is in reverse. They must burrow upwards, as if towards the light, but there is no light, only another soft place to grow. They slip between organs, like a finger. They make room for themselves.
I can’t bear to look at it myself, but Dawn is reading aloud from the radiologist’s report. Steve is also unready to look at it himself. Dawn is our guide, like Virgil, into the first circle. After this she’ll go back to Canberra, back to her work as a nurse, and we will have to pick our way through this ourselves.
There is another tumour between stomach and liver, and it is eleven centimetres wide. It is not round with a definite skin, like an orange. It is more like a rabbit burrow, with a main room and corridors leading off it. It’s pushed the stomach right over to the left. It’s taken up residence. It’s a giant cuckoo in a small nest. It is growing rich on my blood supply.
I’m indisputably fading, now. My red blood cell count has plunged. My face is as white as a sheet. I’m bundled into a bed at Bathurst hospital, where they give me two bags of blood. I feel better immediately. Suddenly, I don’t feel ill at all. There are four women in the ward. One is ninety years old, estranged from all her children. There is nobody to bring her things.
Helen, mistress of rabbits, brings giant sunflowers. More flowers bank up. Vases have to be found.
I’m transferred straight from Bathurst to Westmead in Sydney. I sit in the passenger seat beside the driver, because I really don’t need the stretcher out the back. I’m perfectly ambulant, perfectly able to hoist myself up, click my own seatbelt. The nurse sits on a little chair behind my seat. She’s just a voice all the way down. I’m taken into the bowels of Westmead Hospital and fed a brown mushy casserole.
My sister, Deb, appears with an armful of new pajamas. She has written my name in felt pen on the tags at the neck, just as she does on her children’s clothes. Mum and Max are there too, and Steve. They are all gathered around my bed. Max is eight. He’s doing a crossword. He’s bored. I remember being six, a child at my grandfather’s hospital bed. We’d driven across the continent, Carnarvon to Brisbane, sleeping in the car, setting off at first light. Poppy was thin and smiling, telling stories. I picture him in a felt hat, but that can’t be right. He was in hospital.
A little while later, he died. Dad told me this, as we stood down near the road at the front of the small green fibro house that went with his job at Jolly’s Tyre Service. “Did you cry?” I asked. I looked up at his face. If he had cried, there was no sign of it now.

The fleece

We are like the girl in the rhyme
calling where o where,
hands deep in the fleece of ourselves,
wanting someone
with verbena-scented hair
and fine-boned wrists
to lift us up, the whole of us
containable, not yet broken.

– Maya Janson, Murmur & Crush

My hand is deep in the fleece of my life. My sheep are dirty cream or light brown, never white. In the angled light of the late afternoon, they are golden.

We took the ferry to Stradbroke Island and discreetly sprinkled his ashes here and there. Mum and Dad met on the beach here. They would forever have beach sand between their toes. I stood knee deep in the water holding the big plastic container in my hands. It was light grey or blue, with a lid that was very hard to get off. It was a purely functional vessel, of the kind that might contain fertiliser or snail pellets at a hardware store. Despite all our sprinklings, the container was still heavy. The coffin was in there too, diluting and adding weight to his ashes. We would have to stop sprinkling and start pouring, if we were to get this job done. The ashes rolled in the shallow water of Moreton Bay.

The drawbridge came down and we drove into the maw of the Argo, one down but not broken, and returned across the water.

And now, the movie

I’ve just had a flying visit from my friend John Merkel who is heading back to Melbourne tomorrow. He’s loving Melbourne and his new girlfriend and generally getting about being a Lebenskünstler. After I showed him my crocheted guts, he got his iPhone 3 out of his pocket and asked if I’d mind repeating myself for the movie. I said I didn’t mind. It’s worked out well, actually, because I was beginning to wonder what I was going to blog about today. As you can see from this clip, my eyebrows have come back nicely.